As Far As Our Feet Takes Us, Hrvatska, 2018., director: Renata Lučić, documentary
Director’s mother Vesna is in her late 40s. For the last seven years she has been living and working in Germany. Vesna rarely talks about herself, and when she does, her thoughts and attitudes remain → more
Probably dead, Hrvatska, 2019., director: Ivan Grgur, feature film
How many times can you die of fear before you're probably dead? This short documentary answers the question by trying to visually bring the spectator closer to the surreal world in which his protagonists live. A → more
Njemačka, 2019., director: Milena Aboyan, feature film
The retiree Gretel Lotz nests herself into an unsuspecting family. In order to escape her lonely and isolated life, she pretends to be "Aunt Gretel”, a distant relative. → more
Stray Cat Ah Q, Sjedinjene Američke Države, 2018., director: Mulan Fu, animated
A chance encounter between a stray cat and a young girl becomes a lifelong friendship able to withstand distance and time. → more
A Life from Death, Finska, 2017., director: Tuuli Teelahti, documentary
In a hospice, every day is somebody's last day alive. The sheets are changed, and someone else brought in to die. Before the end, hands are held, and there is time for coffee. And for → more
Second Floor, Nizozemska, 2018., director: Dymphie Huijssen, feature film
Everyone will die one day, but everyone feels different about it. ‘Second Floor’ is a non-narrative film about the diverse associations and thoughts people have about death, all inspired by songs, poetry and real conversations → more
When I’m at Home, Srbija, 2019., director: Ivana Todorović, feature film
Marija is coming home to Belgrade after several years abroad to face a trauma from her past. → more
Worth Every Penny, Izrael, 2017., director: Ilona Yudin, Paz Bernstein, Muli Asido, Erika Cumpton, Adam Magrala, Yael Solo-monovich, Lara Buyom, Sarai Abergel, Guy Livnat, Noy Friman, animated
An animated voyage into the realm of paid sex encounters. The texts are taken from internet forums, where sex consumers compare and rate the quality of prostitutes performance. → more
Elephant in the Room, Švicarska, 2018., director: Chanelle Eidenbenz, feature film
Irna senses that the relationship with her son Jago is getting more and more hopeless. She seeks refuge in her own world, whose center is Elias, a rubber doll. While Irna holds on to her → more
