Karera ga honki de amu toki wa, Japan, 2017., director: Naoko Ogigami, feature film
First film in five years from director Ogigami Naoko, whose many fans adore the uniquely soothing atmosphere in films like Kamome Diner. The protagonist has undergone a sex change to become a woman and lives → more
Nagi machi, Japan, 2019., director: Kazuya Shiraishi, feature film
A man (Shingo Katori) works at a printing plant, but he gets fired from his job. The man, his female partner and her daughter move to her hometown. They enjoy peaceful days, but small problems → more
Aru Sendo No Hanashi, Japan, 2019., director: Joe Odagiri, feature film
Toichi is a boatman who ferries the villagers to a town on the other side of the river. Besides rowing a boat for the villagers all day long, he barely have a communication with others → more
Han Sekai, Japan, 2018., director: Junji Sakamoto, feature film
Koh, who has aimlessly taken over his father’s job as a charcoal maker, rarely thinks about his wife, Hatsuno and his only son Akira, using work as an excuse. One day, Koh is surprised to → more
Kimi no tori wa utaeru, Japan, 2018., director: Shô Miyake, feature film
A love triangle that captures all the magic and melancholy of a summer, concentrating on the fleeting moments and encounters experienced by its three protagonists. The main character, « Me », works in a bookshop in → more
The Physics of Sorrow, Kanada, 2019., director: Theodore Ushev, animated
Svi smo mi imigranti. Neki napuštaju gradove i zemlje, no svi napuštamo svoja djetinjstva. Poput mitskog Minotaura lutamo osobnim labirintima, noseći sa sobom kovčeg sjećanja, prijenosnu vremensku kapsulu ispunjenu uspomenama na prošlost koju više ne → more
Just a Guy, Njemačka, 2020., director: Shoko Hara, animated
Običan tip animirani je dokumentarac o ljubavi i privlačnosti. Tri žene nude uvid u svoje osjećaje i vezu s Richardom Ramirezom, serijskim ubojicom i silovateljem s kojim su stupile u kontakt nakon što je uhićen. Shoko Hara → more
Freeze frame, Belgija / Njemačka, 2019., director: Soetkin Verstegen, animated
Stop-kadar, najapsurdnija tehnika od izuma pokretne slike. Složenim postupkom umnažanja iste slike stvara se iluzija mirovanja. U ovoj stop-animaciji identični likovi izvršavaju beznadni zadatak očuvanja ledenih santi. Repetitivni pokreti reanimiraju životinje koje su unutra zarobljene.
Soetkin
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Symbiosis, Francuska / Mađarska, 2019., director: Nadja Andrasev, animated
Prevarena žena odluči istražiti muževe ljubavnice. Njezinu ljubomoru postupno zamijeni znatiželja.
Nadja Andrasev mađarska je redateljica animiranih filmova. Diplomirala je na odsjeku animacije Fakulteta umjetnosti i dizajna Moholy-Nagy (MOME Anim) filmom Zvuk lizanja. Film je premijerno
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Naked, Rusija, 2019., director: Kirill Khachaturov, animated
Negdje u istočnoj Europi, uslijed laboratorijske nezgode protagonist dobiva supermoći koje ne želi. Junak ne želi biti superjunak i spašavati svijet od zlikovaca, želi živjeti kao i prije i ništa ne mijenjati. Situacija postaje još → more
