Karera ga honki de amu toki wa, Japan, 2017., director: Naoko Ogigami, feature film
First film in five years from director Ogigami Naoko, whose many fans adore the uniquely soothing atmosphere in films like Kamome Diner. The protagonist has undergone a sex change to become a woman and lives → more
Nagi machi, Japan, 2019., director: Kazuya Shiraishi, feature film
A man (Shingo Katori) works at a printing plant, but he gets fired from his job. The man, his female partner and her daughter move to her hometown. They enjoy peaceful days, but small problems → more
Aru Sendo No Hanashi, Japan, 2019., director: Joe Odagiri, feature film
Toichi is a boatman who ferries the villagers to a town on the other side of the river. Besides rowing a boat for the villagers all day long, he barely have a communication with others → more
Han Sekai, Japan, 2018., director: Junji Sakamoto, feature film
Koh, who has aimlessly taken over his father’s job as a charcoal maker, rarely thinks about his wife, Hatsuno and his only son Akira, using work as an excuse. One day, Koh is surprised to → more
Kimi no tori wa utaeru, Japan, 2018., director: Shô Miyake, feature film
A love triangle that captures all the magic and melancholy of a summer, concentrating on the fleeting moments and encounters experienced by its three protagonists. The main character, « Me », works in a bookshop in → more
The Physics of Sorrow, Kanada, 2019., director: Theodore Ushev, animated
Svi smo mi imigranti. Neki napuštaju gradove i zemlje, no svi napuštamo svoja djetinjstva. Poput mitskog Minotaura lutamo osobnim labirintima, noseći sa sobom kovčeg sjećanja, prijenosnu vremensku kapsulu ispunjenu uspomenama na prošlost koju više ne → more
Just a Guy, Njemačka, 2020., director: Shoko Hara, animated
Just a Guy is an animated documentary film about love. Three women share glimpses of their affection, attraction, and relationship with Richard Ramirez, the serial killer and rapist. Through their perspective, we revisit the exchanged → more
Freeze frame, Belgija / Njemačka, 2019., director: Soetkin Verstegen, animated
Stop-kadar, najapsurdnija tehnika od izuma pokretne slike. Složenim postupkom umnažanja iste slike stvara se iluzija mirovanja. U ovoj stop-animaciji identični likovi izvršavaju beznadni zadatak očuvanja ledenih santi. Repetitivni pokreti reanimiraju životinje koje su unutra zarobljene.
Soetkin
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Symbiosis, Francuska / Mađarska, 2019., director: Nadja Andrasev, animated
Prevarena žena odluči istražiti muževe ljubavnice. Njezinu ljubomoru postupno zamijeni znatiželja.
Nadja Andrasev mađarska je redateljica animiranih filmova. Diplomirala je na odsjeku animacije Fakulteta umjetnosti i dizajna Moholy-Nagy (MOME Anim) filmom Zvuk lizanja. Film je premijerno
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Naked, Rusija, 2019., director: Kirill Khachaturov, animated
Negdje u istočnoj Europi, uslijed laboratorijske nezgode protagonist dobiva supermoći koje ne želi. Junak ne želi biti superjunak i spašavati svijet od zlikovaca, želi živjeti kao i prije i ništa ne mijenjati. Situacija postaje još → more
