Jugoslavija, 1975., director: Branko Bauer, feature film
Radnja filma smještena je u Vojvodinu za vrijeme 2. svjetskog rata. Glavni junaci su Milan (Slavko Štimac) i Raša (Svetislav Goncić), dječaci koji su se pridružili partizanima, ali ih oni tijekom zime šalju natrag svojim → more
Jugoslavija, 1955., director: Branko Bauer, feature film
Braća Mladen i Željko s prijateljem Ivicom na sportskoj prognozi osvoje milijun dinara koje odluče bez znanja roditelja potrošiti tijekom školskih praznika na Jadranskoj obali, sanjajući o kupovini broda i gusarenju. Planove će im pokušati → more
Jugoslavija, 1957., director: Branko Bauer, feature film
Predrag-Bojkan (Milorad Margetić), ratni invalid, inženjer je na izgradnji hidrocentrale koji boravi u pansionu tete Eme (Nela Eržišnik) i druži se sa Žarkom (Nikša Štefanini), asistentom primarijusa Vrančića (Stjepan Jurčević) u obližnjem sanatorijumu za očne → more
2016., director: Sanja Iveković, feature film
Sanja Iveković has dedicated a filmic portrait to the “invisible” women of the Erste Campus, those workers who clean the offices in the early morning and evening and staff the cafeterias and kitchens. In keeping → more
1998., director: Sanja Iveković, feature film
The video was commissioned as a clip by the coalition of Croatian women’s NGOs as a part of the campaign against violence against women. It consists of the shot of a face of an abused → more
1992., director: Sanja Iveković, Dalibor Martinis, feature film
Is this a love song transmitted through the air, or is it just the buzz of the desire mechanism in the ears of the receivers? The symmetry of male and female aspirations, fears and angers → more
1987.-89., director: Sanja Iveković, feature film
The video takes Samuel Beckett’s Texts For Nothing (see Nouvelles et Textes pour rien), as the basis for a visual essay on a woman who has to deal with the death of her mother and the → more
1985., director: Sanja Iveković, Dalibor Martinis, feature film
A man and a woman are about to begin a game of chess. The chess-board gradually turns into a battlefield of opposite views of life. The man’s attitude can be deduced from the Zen story → more
1983., director: Sanja Iveković, Dalibor Martinis, feature film
Simplicity, serenity, harmony, achievement of great subtlety through entirely natural means – these are the main values of chanoyu, the traditional Japanese tea ceremony. This video mocks the typical Western equivalent: a conjugal quarrel, with → more