Movies

Tri Ane

Tri Ane

Jugoslavija, 1959., director: Branko Bauer, feature film

Umirovljeni vozač tramvaja Marko Petrić (Dušan Stefanović) iznenada doznaje da mu je kćer Ana, za koju misli da je s majkom stradala u ratu, možda živa. U Crvenom križu ga upućuju na glumicu Anu Ristić → more

Samo ljudi

Samo ljudi

Jugoslavija, 1957., director: Branko Bauer, feature film

Predrag-Bojkan (Milorad Margetić), ratni invalid, inženjer je na izgradnji hidrocentrale koji boravi u pansionu tete Eme (Nela Eržišnik) i druži se sa Žarkom (Nikša Štefanini), asistentom primarijusa Vrančića (Stjepan Jurčević) u obližnjem sanatorijumu za očne → more

The Invisible Women of Erste Campus

The Invisible Women of Erste Campus

2016., director: Sanja Iveković, feature film

Sanja Iveković has dedicated a filmic portrait to the “invisible” women of the Erste Campus, those workers who clean the offices in the early morning and evening and staff the cafeterias and kitchens. In keeping → more

The Face of the Language

The Face of the Language

1998., director: Sanja Iveković, feature film

The video was commissioned as a clip by the coalition of Croatian women’s NGOs as a part of the campaign against violence against women. It consists of the shot of a face of an abused → more

The Bride, The Bachelors. Even

The Bride, The Bachelors. Even

1992., director: Sanja Iveković, Dalibor Martinis, feature film

Is this a love song transmitted through the air, or is it just the buzz of the desire mechanism in the ears of the receivers? The symmetry of male and female aspirations, fears and angers → more

Voice of Silence

Voice of Silence

1987.-89., director: Sanja Iveković, feature film

The video takes Samuel Beckett’s Texts For Nothing (see Nouvelles et Textes pour rien), as the basis for a visual essay on a woman who has to deal with the death of her mother and the → more

Black and White

Black and White

1985., director: Sanja Iveković, Dalibor Martinis, feature film

A man and a woman are about to begin a game of chess. The chess-board gradually turns into a battlefield of opposite views of life. The man’s attitude can be deduced from the Zen story → more

Chanoyu

Chanoyu

1983., director: Sanja Iveković, Dalibor Martinis, feature film

Simplicity, serenity, harmony, achievement of great subtlety through entirely natural means – these are the main values of chanoyu, the traditional Japanese tea ceremony. This video mocks the typical Western equivalent: a conjugal quarrel, with → more

No End

No End

1983., director: Sanja Iveković, Dalibor Martinis, feature film

The theme of this piece is the disturbing mental state of a woman whose life has become routine and who does not have the chance to experience the world in its richness and complexity. Although → more

Još samo malo

Još samo malo

Ensilumi, Finska, 2020., director: Hamy Ramezan, feature film

Trinaestogodišnji Iranac Ramin živi s obitelji u izbjegličkom centru u Finskoj. Baš kada počne uživati u školskim praznicima, dobivaju vijest da im je odbijen azil. Raminovi roditelji podnose posljednju žalbu i nastavljaju sa svakodnevicom, trudeći → more